Arcadiana

A Blog about Literature, Culture and the Environment

Lehrprojekt: Nature Writing und Übersetzung

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Das Sommersemester 2020 war in mehrerlei Hinsicht ein ungewöhnliches. Der zwölfwöchige Bachelor-Kurs, den ich unterrichtete, war mein erster, noch dazu im Online-Format, und ich hatte vor, ihn direkt mit einem kreativen Lehrexperiment zu beginnen. Es ging um die Übersetzung von aktuellem britischen Nature Writing, insbesondere von Auszügen aus Mark Cockers A Claxton Diary: Further Field Notes from a Small Planet (2019).

Teaching Creative Nature Writing and Translation

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The summer term of 2020 was an unusual one in several ways. The undergraduate course I taught was my first one, on top of that in online format, and I started with a creative teaching experiment right away. The twelve-week course was on the translation of current British Nature Writing, looking specifically at excerpts from Mark Cocker’s A Claxton Diary: Further Field Notes from a Small Planet (2019).

Teaching Environmental Literature Online

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The COVID-19 pandemic has forced teachers and students to reimagine environmental literature classrooms. Spaces where we once discussed environmental literatures at the same time and place have been replaced with online “classrooms” that are scattered across time zones and a wide range of learning conditions, where family or financial responsibilities often compete with curricular deadlines for attention.

Review: Virtual Opening and Streaming Festival ‘Critical Zones’ (May 2020)

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The 22nd of May saw the launch of Critical Zones: Observatories for an Earthly Politics, a ‘thought exhibition’ at ZKM Karlsruhe. The exhibition – opening physically on the 24th of July, but currently available online – began with a streaming festival: three days of films, lectures, and panel discussions, mediated and moderated by Bruno Latour, Peter Weibel, Barbara Zoé Kiolbassa, Dominika Szope, and Annett Holzheid.

From Apartheid South Africa to Climate Apartheid: Mongane Wally Serote’s “City Johannesburg”

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In one of the most recognisable South African poems of the twentieth century, Mongane Wally Serote’s“City Johannesburg” (written circa 1971), the black narrator of the poem searches through the pockets of his trousers and jacket for his passbook as he mockingly salutes the city of Johannesburg, the sprawling metropolis that developed out of the discovery of gold in the surrounding Witwatersrand gold reef in the 1880s.