“Forever changed”: Women, Revelation, and the Apocalypse in Wellington, New Zealand, 1846-1853
/
/
June 19, 2024
In her classic New Zealand novel The Captive Wife, Fiona Kidman’s character Jacky experiences an Apocalypse within an Apocalypse – that is, a Revelation against a Revelation. Against the backdrop of colonial expansion by British imperial interests, Jacky is placed – first by circumstance, then by desire – “in a liminal space with a Māori chief”, …